As much as I’ve been busy over the bank holiday weekend, my diary seems nothing compared to that of the Doctor’s. Not content with spreading his schedule throughout time and space, this weekend just gone has been something of a bumper celebration for Doctor Who, past, present and future.
Let’s go through this in a wibbly wobbly timey wimey fashion, and start with what fans had been waiting for; the long awaited beginning/continuation of the new season, and the (re)introduction of Clara/Oswin/Oswald, in an episode that did not disappoint.
Although perhaps a bit too similar to season 4’s opener Partners In Crime (evil business woman leads evil corporation as a front to alien manipulation of contemporary London), The Bells of Saint John was all that you could want in a contemporary-set Who episode; an exciting episode full of danger, one liners, surprise twists, and gave fans more questions than answers (does the Doctor himself not wonder who the “woman in the shop” is?). the end result was only the start of what promises to be a great rest of the season.
Rather than simply review the episode however, (I’d only be quoting the best bits and spoil it for you, so I’ll just say head over to iplayer and watch it here), I’m instead going to talk about how I watched it.
For the first time in too long, I watched this particular episode of Doctor Who amongst a group of friends, all of whom were as equally as I was. This hasn’t happened since my first stint at uni, and even then possibly not in as big a group as this. Not only do you get to share in the suspense and the laughter with others, but Moffat seems to write new-Who in a way that just can’t be watched on its own. Each of us picked up on a variety of the myriad of details, and were desperate to share our thoughts, theories and questions once it had finished.
This is how I now want to watch all of Doctor Who.
Going back earlier that day however, before people arrived and I had only the internet to share my thoughts with, there was a cast announcement for November’s forthcoming 50th anniversary special. David Tennant fans everywhere delighted at the news he would be back, but speculated as to who he would be playing; regular, or meta Doctor. Billie Piper fans were also delighted at her return, although it’s fair to say a number of Who fans in general weren’t. A group in which I have to say that I am included.
Don’t get me wrong, I thought Piper was fine in her portrayal of Rose, who was also a fantastic character. Admittedly I still haven’t decided whether her stringing Mickey along was worse than Amy’s trying to sleep with the Doctor the night before her wedding (actually, Amy’s decision was worse, Rose was just naive), but my problem is with her return, not Piper or Rose.
Doomsday, the finale of season 2 was a landmark episode. Catherine Tate aside, it not only introduced modern Torchwood, but featured the Daleks and Cybermen in a Monster vs Monster battle that Aliens and Predators could only dream of, and also a companion’s leaving that beats all others hands down in terms of emotional farewells.
Following on from Sylvester McCoy and Sophie Aldred’s Ace, those who travel with the Doctor in New-Who have generally been more than just companions, each having a specific relationship with the Doctor, and experiencing a personal journey as much as an intergalactic one. It is because of this relationship that, worse than Adric dying without ever knowing if he was right, Rose was abandoned, forced to live without the Doctor, and knowing how he felt about her. He was never even able to finish his sentence. As I said, an emotional farewell.
A farewell that was ruined two years later in season 4, by the only possible thing that could ruin the emotional moment of knowing they’ll never see each other again: them seeing each other again. Needless to say, I’m hoping Billie Piper’s 50th return is more The End Of Time than Journey’s End.
One piece of casting that cheered me up immensely after this news however, was that the 50th anniversary would also star British acting legend himself, John Hurt. Like Derek Jacobi, Ian McKellen, and David Warner who will appear later on in this current season, Hurt is the latest in a line of veteran (no, I don’t just mean old) actors to grace the show with not just their presence and reputation, but also immense talent. No stranger to sci-fi, having previously appeared in the scene in Alien, V for Vendetta, and everything in between, the association of Hurt’s name with Doctor Who is even more exciting than that of Peter Jackson’s, and most fans seem to be in agreement that no one more fitting could have been cast in the shows 50th anniversary.
Cut again to some time later, and the internet was ablast with snippets of a photographic nature. First came two pics of Tennant and Matt Smith (and the tip of a Dalek Gunstick?) together at the scripts read through, and once those had gone viral, the BBC also tweeted an image of a 21st century Zygon, complete with #DoctoWho50th hashtag.
But while fans are eagerly awaiting for November’s celebrations to grace their screens, showrunner Steven Moffat is no doubt waiting for September, and the announcement of who has won the prestigious Hugo Awards. Celebrating the best in last years sci-fi & fantasy, and with a shortlist of just five TV episodes in the running for Best Dramatic Presentation, Short Form category, three of last years episodes, Asylum of the Daleks, The Angels take Manhattan, and The Snowmen, have been nominated.
Yes, not only is he celebrating as Doctor Who showrunner, but those three episodes were written by Steven ‘Juggernaut’ Moffat himself as a writer. The writer who ten years ago was entertaining TV viewers with Jeffrey Murdock and the Visual Access Angle, is this year celebrating the fact that his stories alone have earned a total of eleven nominations in only eight years, and is no doubt hoping for his fifth win.
Between writing and helming the 50th anniversary episode, working with John Hurt, and adding “buy bigger display cabinet?” to his to-do list, it would seem that 2013 is already a fantastic year for Doctor Who, and Moffat truly has the key to the gates of paradise, regardless of having too many legs.